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The movie ends up spinning around the corny question of whether this or that character will damn themselves by uttering the words “the Bye Bye Man.” But when Kanell turns into one of those people, it means something. In addition to Dunaway, Carrie-Anne Moss is on hand as the world’s most soft-edged hard-bitten police detective.Kanell has a brainy sensuality reminiscent of Rebecca Hall, and her scenes vibrate with tension. These days, though, especially when they involve haunted houses, they often have a visually promiscuous, everything-but-the-kitchen-sink quality that toys with the audience in ways that don’t always fit together.(The audience’s attitude toward this smorgasbord-of-fear factor tends to be a shrug of “Whatever works.”) falls somewhere between the two extremes.

Yet even when it seems to be making things up as it goes along, its slapdash hallucinatory quality is a token gesture toward placing you inside the characters’ heads. These days, though, especially when they involve haunted houses, they often have a visually promiscuous, everything-but-the-kitchen-sink quality that toys with the audience in ways that don’t always fit together.In a rural area just outside Madison, three students at the University of Wisconsin — tall sexy geek Elliot (Doug Smith), his come-hither girlfriend Sasha (Cressida Bonas), and his smooth jock BFF John (Lucien Laviscount) — arrange to room together off-campus in a rundown old mansion with rooms as big as barns.There is, of course, a spectral demon-monster on hand.(The audience’s attitude toward this smorgasbord-of-fear factor tends to be a shrug of “Whatever works.”) falls somewhere between the two extremes.Yet even when it seems to be making things up as it goes along, its slapdash hallucinatory quality is a token gesture toward placing you inside the characters’ heads.

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